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The blog of Avinash, Christina, Anya and Kyan Meetoo.

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Apple

My music studio

20 October 2018 By Avinash Meetoo Leave a Comment

I started composing music when I was around 16 years old. At that time (1989!), the technology I had access to was quite primitive compared to what I have today. But I still managed to create some good tracks using my trusty Commodore Amiga 500, Music-X and Bars & Pipes sequencers and my still working Kawai K4 Digital Synthesizer.

Today, of course, I have move to greener and better pastures and this is what I want to share with you in this post.

To start with, from my humble beginnings on the Amiga with Music-X and Bars & Pipes, I’ve moved to Cakewalk (on a PC) when I was studying in France, then to Emagic Logic Audio (still on a PC), then Apple Logic (I had to get a MacBook!), then Apple Logic Pro X (on an Apple iMac) and now Cockos REAPER (still on the iMac but nothing prevents me to move to a PC if needed as I have made it a must to cut my dependence on Apple).

I started using a Focusrite Sapphire 2i2, a very affordable and high-quality audio interface a few years ago. To be honest, as I am an electronic music person, I don’t record a lot of guitars or vocals but I have to say that the balanced output on the Focusrite is very good.Two years ago, I finally acquired a pair of real studio monitors, a pair of Yamaha HS5. Listening to music on them via the balanced output of the 2i2 is great. Sometimes I do use my Superlux HD669 headphones too. I also own an M-Audio Uno MIDI interface for my trusty Kawai K4…

… which brings us to the three keyboards I have. The first one (chronologically) was the Kawai K4 Digital Synthesizer which my parents bought my brother and I around 1989. It was love at first sight for us even though there were better synths at that time. Thirty years later, the sounds are dated but the keybed is still very good (with note on and note off velocity and channel aftertouch). Today I am using the K4 as the master controller of my setup.

A few years ago, I also purchased an M-Audio Oxygen 25 for the rotary knobs but the two octaves are too limiting. Today I only use it sparingly. It will most probably end up in one of my kids’ room. A few months ago, I also got my first digital piano: a Yamaha P-45. I love it. We all use it pretty much every day, especially Anya, but it’s in our living room and not in my studio. I do bring it in my studio from time to time though but I have to say that the K4 is good enough.

When Anya finished CPE, we gave her a Valencia 100 acoustic guitar. Funnily, I was the one who got hooked on guitars and, today, I am a decent guitar player (my brother, Ashvin, who is a pro tells me I’ve reached “Lower VI” level…) Two years ago, we took the plunge and got a Yamaha Pacifica 012 electric guitar and a THR5 amp simulator. To be honest, we don’t use them that much but we really have to beef up our electric guitar skills. I say “we” because Kyan has become a good guitar player as well.

Aha. The venerable Roland TR-606 wsa gifted to me by the dad of a student. They had invited us to have dinner at their place and, when I told them I was a musician, the dad brought me the TR-606 which he had got from a past customer as payment (he was an electronics guy). I don’t switch on the Roland too much these days as I have samples of it but I’ll never let it go… It’s a museum piece.

Having covered hardware, let me move to software. I love virtual instruments. More than hardware synths or samplers in fact. The computer scientist in me knows that an Intel processor is way more powerful than what exists in synths. For acoustic sounds, my choice is XLN Audio. I have Addictive Keys for my grand piano (and I have to say it sounds better than my Yamaha P-45). For acoustic drums, I own Addictive Drums 2. I suppose my next album, the fourth one, will feature these quite a lot, especially Addictive Drums. On my 3rd album, Turn Around, I was still using the Drummer in Logic Pro X.

For synth and sampling, I have the best: UVI Falcon. I got Falcon only last week and I have been discovering the presets (which are quite amazing). Interestingly, a few days ago, Christina asked me about how Falcon works and I spent one hour explaining analog and FM synthesis to her while demonstrating the creation of simple sounds in Falcon. And, believe it or not, everything worked! Falcon is deep but logical. I love this!

Prior to getting Falcon, I had purchased UVI Synth Anthology 2 and UVI Beatbox Anthology 2. Both are complex sound libraries of legendary synths and drum machines. I was using them in the free UVI Workstation which has limited editing capabilities. With Falcon, I can now edit every single aspect of the sounds if needed. I love that UVI sound libraries are compatible with Falcon. I also own Analog and Digital Motions, two additional Falcon sound expansions. They are both wicked!

A few years ago, I purchased KV331Audio Synthmaster, a very powerful synth. It’s not as powerful as Falcon (in principle) but still… I have used it a few times and the presets are also very nice. As I own Falcon now, I may sell it but maybe not… The only issue with Falcon is that the presets and the expansions tend to be complex evolving arpeggiated sounds. Synthmaster provides the bread and butter sounds: bass, lead, etc. Of course, these can easily be made in Falcon but I will have to MAKE them or find yet another library. Maybe I’ll keep SynthMaster around for a few months and see what happens…

As for sampling, I bought TAL-Sampler a few months ago and I have not used it a lot. It is quite easy to use though: choose a sample, map it and voilà. Unfortunately, it does not support multisamples and I have a lot of multisamples of my trusty Kawai K4 which I recorded myself. I’ll probably resell the TAL-Sampler soon once I find an easy way to import the K4 samples into Falcon. In any case, Falcon is a much more powerful sampler than TAL-Sampler… I will probably get a few dollars which I’ll invest into other Falcon expansions…

Coming to effects, I am pretty much a Waves guy (despite a lot of people criticising the company). For me, the plugins are affordable (I always get them when they are on sales), they look great, they sound great and are multiplatform. I’m really thinking of moving to a PC after the iMac and the Waves plugins will definitely have to move with me…

The channel strip which I use on all my channels is the Waves Scheps Omni Channel. It is powerful, sounds great and is easy to use. The preamp has a nice distortion, the EQ is easy to use and the compressor very effective as it’s basically a VCA, a FET and an Optical compressor in one. The presets by Andrew Scheps are very good and can serve as inspiration.

I use the Waves H-Reverb and H-Delay plugins pretty much on all my tracks. They both sound great and are easy to use. These days, I tend to use the EQ and the compressor in the channel strip. But in case I need standalone ones, I have H-Comp and H-EQ. I got all four plugins in the H-Series Bundle.

I have acquired the F6 Floating-Band Dynamic EQ but I have not used it yet on any track. But I know that I am ready for any complex audio correction if needed (possibly at the mastering level…) I suppose this will be needed more on acoustic instruments and vocals. We’ll see. I also have the Bass Rider. It’s designed for bass guitar but also works great on synth bass.

For vocals, I have Vocal Rider which is insane. And I also have Waves Tune which is insane too. I have used both for a recording of Anya and Kyan singing “Where’s the Revolution” by Depeche Mode and the result is quite fantastic! Pity they asked me not to put their version of the DM song on YouTube or Soundcloud. I can only tell you that you are missing quite something :-)

For mastering, I have opted for Vitamin Sonic Enhancer for sprinkling the magichigh-frequency dust on the song. Waves Center is also very powerful for controlling the stereo image of the song and making it sound more professional.

At the end of the chain, I use the Waves SSL G-Master Buss Compressor, THE GLUE! This plugin makes everything seamless. It’s a joy to use (as it has a few knobs) and sounds great. For making sure that no clipping can ever happen, I use the L2 Ultramaximizer at the very end. I am a fan. I make sure that mixing and mastering are well done and attenuation is only a few dBs at most.

I also use two essential Waves metering plugins. First, I tend to use the Waves Dorrough Stereo plugin a lot when recording and mixing. I use it to make sure that I never have signals which are too hot. I also use it to make sure that my music is dynamic. For me, as someone who despise the Loudness War, I love listening to unclipped and dynamic music. Finally, the WLM Plus Loudness Meter allows me to master in compliance with AES EBU R128 standards.

Of course, hardward and software is only one part of the equation. To do music, you also need some inspiration (20%) and a lot of perspiration (80%) :-)

Listen to my three albums online: Turn Around (2016), So Logical (2004) and My Contribution to Art (1995-2000).

Enjoy. And don’t hesitate to leave your feedback.

Filed Under: Apple, Family, Mauritius, Music, News, Technology

My quest to buy Waves plugins

19 June 2018 By Avinash Meetoo Leave a Comment

In my previous Bundles of Waves plugins post, I wrote that, even though I have tried a number of Waves audio plugins over the years, I have 9 favourites:

  • H-Comp Hybrid Compressor ($179)
  • H-EQ Hybrid Equalizer ($179)
  • H-Reverb Hybrid Reverb ($349)
  • H-Delay Hybrid Delay ($179)
  • Bass Rider ($99)
  • Vocal Rider ($249)
  • L2 Ultramaximizer ($299)
  • Dorrough Stereo ($199)
  • WLM Plus Loudness Meter ($399)

Unfortunately, buying them would cost me $2,131 which is waaaaayyyyy too expensive.

The Waves website

Fortunately, Waves regularly offer deals on its website. On 19 April 2017, I discover this incredible deal there. All prices are slashed:

My favoured 9 plugins would today cost $420.05 (Rs 14,865) instead of $2131 (regular price). This is a massive 80% discount!!! But it is still a bit expensive for me. I decided to wait a bit.

Cyber Monday Deal

On 29 November 2017, I found out about the massive Cyber Monday Deal, still on Waves’ website:

There is now a phenomenal discount of $1807.75 off the regular price. My 9 favorites today only cost $323.25 (Rs 11298.23). Still a bit expensive. Skipped again.

Plugin Discounts

On 19 June 2018, I finally discover that a lot of people buy Waves plugins from Plugin Discounts which offers some of the best deals on the planet. I take the decision to always use such websites in the future and to only buy plugins if they are less or equal to $29 each. Here is what I finally bought today:

I got the Waves WLM Plus Loudness Meter at $24.36 (94% discount, which is amazing!), the Waves Dorrough Stereo Meter at $32.76 (which is more than $29 I know but which I had to get in my first Waves purchase ever because I am so reliant on it when mixing, 84% discount) and the Waves H-Series consisting of H-Reverb, H-Delay, H-EQ and H-Comp. The bundle cost me $72.07 which means that each individual plugin is less then $29 and the discount is a staggering 92%. In total, I paid $129.19 (Rs 4515.45) for 6 plugins.

What remains now is the L2 Ultramaximizer which I use on my main bus to make sure that there is no clipping. Right now, I am quite far from making final mixes or mastering so I can wait a bit for the L2 to become available, either on Waves’ website or at Plugin Discounts, at $29. Right now, it is available at $69 which is too much.

As for Vocal and Bass Rider, I can wait as I am not recording vocals or bass these days. Only electronic sounds, baby ;-)

The remaining plugins

On 24 Jun 2018, I got Center at $24.36 on Plugin Discounts.

On 28 Jun 2018, I got Vocal Rider at $29 on Waves’ website. It was slightly cheaper on Plugin Discounts but, for some reason, my credit card was not working there.

On 04 Jul 2018, I got Bass Rider and the SSL G-Master Buss Compressor (which I didn’t intend to buy but which is excellent to glue a mix) on Waves’ website. Each cost $29 but with the Waves discount for the 2nd plugin it was more like $25.38 each.

On 11 Jul 2018 after reading a lot, I bought Waves Tune at $24.36 on Plugin Discounts. I have used it only once since to tune Anya’s and Kyan’s voices while they were singing Where’s the Revolution by Depeche Mode and it is a fantastic plugin. It is transparent and makes voices twice better.

On 16 Jul 2018, I got the Vitamin Sonic Enhancer and took the plunge for the Scheps Omni Channel. Both costs $29 but more like $25.38 with the discount on Waves’ website. I had no intention to get a channel strip. After all, I already own a compressor and an EQ. But I only had to use the Omni Channel once to realise how good it was. I used it to tame a bassline (albeit with Bass Rider before it) and the resulting sound was amazingly good. The only plugin I intend to buy now is the L2 Ultramaximizer.

On 26 Jul 2018, I finally bought the L2 Ultramaximizer on the Waves website at $29.00. I’m done.

Am I? Two days later, on 28 Jul 2018, I got the F6 Floating-Band Dynamic EQ on Waves website at $21.75. A dynamic EQ is an EQ where cut or boost are made only if a signal crosses a certain threshold. One example of use is when trying to EQ a harsh cymbal. If a normal EQ is used, then high frequencies will be cut throughout. With a dynamic EQ, the cut will be made when the cymbal is really loud (and this happens only momentarily). A dynamic EQ is similar to a multiband compressor but it is much easier to use. That’s why I didn’t get a C6…

On 28 Oct 2018, I took the plunge and got Brauer Motion, a circular stereo auto-panner designed with Michael Brauer who mixes Coldplay. It cost $26.91. It’s a fun plugin which makes sounds move in space. I intend to use it on some sounds from the past (sampled from my Kawai K4 maybe) which lack movement.

On 24 Nov 2018, Waves gave me Sibilance for free. It’s a vocal de-esser with excellent quality.

24 Jan 2019 is going to remain a great day. I finally took the plunge and purchased the four CLA Classic Compressors. I paid $69 and I got the CLA-2A Compressor / Limiter, the CLA-3A Compressor / Limiter and the CLA-76 Compressor / Limiter (in two variants, Blacky and Bluey). These four compressors are considered true classics by audio engineers the world over. In the coming months, I intend to learn how to use them properly.

On 21 Jun 2019, I purchased Bass Fingers, a virtual instrument emulating a bass guitar being played with the finger (instead of being slapped). Cost me $24.50 and it’s fantastic to lay down authentic and realistic-sounding basslines. I could never play a bass guitar but, with Bass Fingers, I can try being one with my master keyboard.

On 30 Nov 2019, I got Berzerk Distortion for free and it’s dope. With it, I can have wild, deranged, creative distortion. To be honest, I am not much of a distortion guy but, when needed, it sure comes handy.

On 09 Dec 2019, I upgraded my Dorrough Stereo to Dorrough Surround (which includes Dorrough Stereo) for free. Having more plugins without having to pay is nice, even though I can’t see myself mixing in surround soon. I’m still struggling in stereo.

On 2 April 2020, thanks to the fact that I already owned the SSL G-Master Buss Compressor, Waves allowed me to upgrade to the SSL 4000 Collection bundle for just $74. This means that I now own the SSL E-Channel, the SSL G-Channel and the SSL G-Equalizer as well. All of them are plugins which have earned rave reviews for nearly perfectly emulating a real SSL 4000 console (which, in addition to costing an arm and a leg, is used by the very best including Chris Lord-Alge).

On 9 April 2020, I bought the LoAir subharmonic generator plugin (it has two adjustable low-frequency processors for shaping the ultra-low end) and the J37 tape saturation plugin (which emulates the very machine used to record many of the greatest masterpieces in modern music at Abbey Road Studios). I became eligible for one free plugin and I opted for the API 550A and API 550B EQ. The idea was for me to be able to use the CLA compressors together with the API EQs and get a kind of vintage channel strip.

On 15 July 2020, I bought the JJP Analog Legends bundle which came with Vari-Mu compressors based on the world famous Fairchild 660 (mono) and 670 (stereo), namely the PuigChild 660 Compressor and the PuigChild 670 Compressor. The bundle also features emulations of two legendary Pultec EQs in the form of the PuigTec EQP-1A EQ (for low and high frequencies) and the PuigTec MEQ-5 EQ (more suited for mid frequencies e.g. vocals). All these plugins essentially colour the signal. This allowed me to choose a free plugin and I opted for the NLS Non-Linear Summer which, in essence, allows me to emulate real analog consoles within my DAW.

On 3 September 2020, I got Manny Marroquin Tone Shaper and MaxxVolume for free from Waves. I wasn’t planning to ever buy them but their online reviews are not bad at all. The Marroquin Tone Shaper is a kind of multiband compressor while MaxxVolume is a very complete compressor great for levelling vocals for example.

On 15 September 2020, I took the plunge and bought the Scheps 73 pre-amp/EQ and the API 2500 compressor. The Scheps 73 models the famous Neve 1073 so favoured by producers. It is generally used when tracking (i.e. recording) and I intend to use it to record vocals, guitars and, yes, the Mauritian ravanne. This will change my workflow as I tend to record dry but I want to try. The API 2500 is a VCA compressor which is world famous for its versatility. I got it because I want to understand the API philosophy. Interestingly, because of these two purchases, I could choose a plugin for free and I got the API 560 10-Band graphic equalizer. With the API 550 I already had, my API collection is complete.

On 21 September 2020, I got OneKnob Wetter for free from Waves. It’s a reverb plugin with only one knob (hence the name!)

On 6 October 2020, I got OneKnob Phatter for free from Waves. It’s an EQ for bass with only one knob (hence the name!)

On 7 October 2020, I took the plunge and got Reel ADT. As explained by Waves themselves: “is the first plugin to successfully emulate Abbey Road Studios’ pioneering process of Artificial Double Tracking. The effect that would become an integral part of Abbey Road’s signature sound was initially created at the famed studios in the 1960s to meet the needs of some very special clients: The Beatles.” On the same day, I used Real ADT to do a new mix of Anya and Kyan singing Where’s The Revolution by Depeche Mode and I (and they) liked the result. Pity that they have not given me the “right” to put the mix online…

On 25 Oct 2020, I got OneKnob Louder for free. I don’t intend to use it.

On 01 Nov 2020, I obtained the IR-L Convolution Reverb for free and I found out that Waves gives a 4.8Gb convolution reverb library for free. I downloaded it and, lo and behold, it’s amazing.

On 16 Nov 2020, I obtained the dbx® 160 Compressor / Limiter for free.

On 30 Nov 2020, I decided to invest in Abbey Road reverbs and the best Renaissance plugins. I purchased Abbey Road Reverb Plates and got Abbey Road Chambers for free. I also purchased Renaissance Vox (which is a beast of a compressor despite the name) and got Renaissance Equalizer for free.

On 06 Apr 2021, I upgraded the IR-L Convolution Reverb which I got for free to the IR360 Convolution Reverb which works in surround mode. Of course, I do not do surround but what’s nice is that the IR1 Convolution Reverb is included in the deal. The IR1 is an upgrade on the IR-L. For example, when using the IR1, the RT60 decay time can be adjusted both positively and negatively over a 4:1 range.

On 03 May 2021, I obtained the Codex Wavetable Synth for free courtesy of Beat Magazin from Germany. My synth background is digital (think Roland D-50 or the Kawai K4) and, of course, analog (think the Roland Jupiter-8 or the Roland Juno-106) and wavetable synthesis is something I find quite intriguing. Of course, I know that Xfer Records Serum is considered to be the best but, having spent some time with Codex, I have to say that I am quite impressed. The fact that it is so easy to import samples in it makes it even more impressive. I love adding colour to my sound palette.

On 18 May 2021, I purchased the Flow Motion FM Synth as I wanted to add modern FM synthesis to my palette. I already had Dexed, the free DX7 emulator but I wanted something more for the 2020s. I also purchased the VU Meter as I am always keen on having good metering. And, as a result of these two purchases, I selected the three MDMX Distortion Modules for free and, as I already own Berzerk, I also get MultiMod Rack for free.

On 12 September 2021, I decided to get the Waves Update Plan for all my Waves plugins still in Version 10 and 11. I needed to have all of the plugins in Version 12 (12.7 to be more precise) so that they work on the new M1 Mac mini I have just purchased. Fortunately, there was a nice sale going on and I managed to grab Bass Slapper, Infected Mushroom Pusher, Kaleidoscopes, MetaFilter and S1 Stereo Imager for free. The idea, apart from the Bass Slapper, is to have effect plugins to get really creative (and modern) during the mixing process. I really need to learn how to use all of them, including the ones I had before such as Berzerk Distortion, Brauer Motion, MDMX Distortion Modules, MultiMod Rack, etc.

On 10 November 2021, only two months after my last WUP, I decided to do a WUP again (Waves is getting a lot of money from me lately…) The reason is that the latest V13 version of Waves plugins work natively on Apple M1 processors now and, in the medium term, I would like to transition to ARM entirely (Reaper, Roland Cloud synths, Waves plugins and the other plugins I use on a regular basis). This is going to take a few months but I expect the transition to happen by March 2022. This means that, in any case, I would have had to upgrade all my V12 plugins to V13. I chose to do it now because Waves was offering a 25% discount and, of course, I got another $20 off this reduced price thanks to everyPlugin. All my Waves plugins are now V13 and ARM (Apple M1) native.

On 15 November 2021, I got a wonderful surprise: Waves released the SSL EV2 Channel, an improved successor of the SSL E-Channel, and I got it for free because I owned the SSL 4000 Collection bundle (in addition to the API Collection, the CLA Classic Compressors, the H-Series and the JJP Analog Legends).

On 26 November 2021, during Black Friday, I decided to purchase three vocal plugins which have been on my radar for quite some time: Waves Tune Real-Time, Vocal Bender and OVox Vocal ReSynthesis. Got the three of them at their lowest price ever and, even though I applied a discount voucher which I already had from a previous purchase, still managed to get a free plugin. I chose the PRS SuperModels guitar amp simulations, namely Archon, Dallas and V9.

On 1st December 2021, because of the Cyber Monday Sale i.e. Buy 2, Get 2 Free, I decided to purchase the new Retro Fi and one of the cheapest Waves plugins, OneKnob Filter, which I have been wanting for some time now in order to automate some nice filter sweep across some of my tracks. This allowed me to choose two plugins from a decent selection and I got Torque and Renaissance Bass. I had Renaissance Bass in my wish list for some time now and I got it because, well, it is one of the best plugins ever to create harmonics for bass. Now, this might seem counterintuitive because bass is all about low frequencies and harmonics are higher frequencies but it so happens that people use bad speakers now (their phones, laptops and Bluetooth speakers) and these cannot reproduce bass. It is therefore important to give an illusion of bass, thereby creating harmonics above the fundamental. Torque, on its part, will allow me to tune the drum samples which I am going to use more frequently now. My latest tracks have all featured sampled drums and I am sure that tuning the kick and the snare will come in handy.

On 15 February 2022, Waves came out with a free plugin called COSMOS Sample Finder. As I had many samples which I had collected over the years, I got the plugin. But I also decided to purchase the new CR8 Creative Sampler because, well, COSMOS integrates seamlessly with it. Of course, I already had other samplers, most notably TAL Sampler, but CR8 looks easy to use and, sometimes, easy is good.

On 26 March 2022, I purchased CLA Vocals, one plugin which I had been keen to get for some time now. It was being sold for $24.99 which is its lowest price ever. I am looking forward to having more vocals in my music and CLA Vocals is very highly regarded. In fact, it is considered to be one of the best Waves plugins.

On 5 April 2022, I got Trans-X for free courtesy of Attack Magazine. It is a transient wave shaper similar to Torque (which I already have) and Smack Attack (which I might get one day if it become cheap). I also have the SPL Transient Designer Plus which I used in the past to tame a ravann recording I made and which worked really well.

On 14 April 2022, due to all Abbey Road plugins being sold for $29.99 each, I took the courage to get two plugins from my wish list: the Abbey Road TG Mastering Chain and the EMI TG12345 Channel Strip. This allowed me to obtain the last item on my wish list, the Smack Attack transient shaper, for free.

On 25 May, after my brother-in-law convinced me to give Nx technology a try (aka mixing using headphones as if you were in a world-class studio) and, benefiting from Memorial Day Sale, I got (Nx) Abbey Road Studio 3 and Nx Ocean Way Nashville at $29.99 each. I have to say that Nx is amazing and my mixes are way better now. And, in addition, I got to choose two plugins for free and I got the NS1 Noise Suppressor and the Scheps Parallel Particles.

On 7 June 2022, I bought Clarity Vx at $29.99 during a Flash sale. Interestingly, it’s the only V13 Waves plugin which is not yet M1 native but, according to Waves, this is being worked on. The reviews online are very positive and I’m looking forward to podcasting / videocasting more in the (near) future. I expect that I’ll use Vx and, maybe, NS1 quite a lot.

Conclusion

Now that I think of it, this allows me to have multiple setups for mixing and mastering:

  • one based on the Abbey Road plugins,
  • one based on SSL plugins,
  • one based on API plugins,
  • one based on the CLA compressors,
  • one based on the Scheps Omni Channel, etc.

And, of course, with the NLS Non-Linear Summer, I now have the SSL 4000G of Mark “Spike” Stent, the EMI TG12345 Mk 4 desk owned by Mike Hedges or the Neve 5116 console custom-made for Yoad Nevo.

And I can now record through the Scheps 73… And, of course, on my master bus, I can have the Puigtec and the Puigchild, not to mention the SSL Buss Compressor.

It’s the same for composing. I do now have a number of Waves instruments (Bass Fingers, Bass Slapper, Codex Wavetable Synth, Flow Motion FM Synth and OVox Vocal ReSynthesis) which open a world of possibilities for me.

I’m delighted with my Waves collection. The idea is not to recreate, ahem, reality but to understand how professional musicians and producers work with iconic equipment as well as equipment which push the limit of what is doable today on a computer.

All in all, I legally own 81 Waves plugins now. I started in 2018 and it’s now 2022. I’m done I think. Sure, I invested a lot of money over the years but it’s a good investment on myself.

I really want to understand, learn and enjoy.

Filed Under: Apple, Music, Technology, Web

Bundles of Waves plugins

7 April 2017 By Avinash Meetoo 1 Comment

I love playing and composing music and I have released three albums over the years. I generally use Logic Pro X as my digital audio workstation, sprinkled with a few Waves plugins which I love (e.g. the H-Comp Hybrid Compressor, H-EQ Hybrid Equalizer, H-Reverb Hybrid Reverb, H-Delay Hybrid Delay, Bass Rider, Vocal Rider, L2 Ultramaximizer, Dorrough Stereo and WLM Plus Loudness Meter).

I find Waves plugins amazing. I tend to mainly use the ones created from scratch by Waves (like the one I have mentioned above) but I don’t mind using the ones modeled after classic hardware components from time to time (e.g. the API 2500, CLA-2A/3A/76 Compressor / Limiter and the SSL E/G-Channel).

Here are the various waves bundles (collections of plugins) with a list of plugins comprising them:

Silver Bundle ($599)

  • C1 Compressor
  • DeEsser
  • Doubler
  • Enigma
  • IR-L Convolution Reverb
  • L1 Ultramaximizer
  • MaxxBass
  • MondoMod
  • PAZ Analyzer
  • Q10 Equalizer
  • Renaissance Axx
  • Renaissance Compressor
  • Renaissance Equalizer
  • S1 Stereo Imager
  • SuperTap
  • TrueVerb

Gold Bundle ($799)

All the plugins in the Silver bundle with the following added:

  • AudioTrack
  • C4 Multiband Compressor
  • Doppler
  • Eddie Kramer Drum Channel
  • Electric Grand 80 Piano
  • eMo F2 Filter
  • eMo Generator
  • eMo Q4 Equalizer
  • GTR3 Amps
  • GTR3 Stomps
  • GTR3 ToolRack
  • GTR3 Tuner
  • H-Comp Hybrid Compressor
  • H-Delay Hybrid Delay
  • MetaFlanger
  • MV2
  • PS22 Stereo Maker
  • Renaissance Reverb
  • Sibilance
  • UltraPitch
  • V-Comp
  • V-EQ3
  • V-EQ4
  • Vitamin Sonic Enhancer
  • VU Meter
  • Waves Tune LT

Platinum Bundle ($1999)

All the plugins in the Gold bundle with the following added:

  • Greg Wells ToneCentric
  • L2 Ultramaximizer
  • L3 Ultramaximizer
  • L3-LL Ultramaximizer
  • Linear Phase EQ
  • Linear Phase Multiband Compressor
  • MaxxVolume
  • MetaFilter
  • OneKnob Driver
  • OneKnob Pumper
  • PuigTec EQs
  • Renaissance Bass
  • Renaissance Channel
  • Renaissance DeEsser
  • Renaissance Vox

Diamond Bundle ($2999)

All the plugins in the Platinum bundle with the following added:

  • Center
  • Cobalt Saphira
  • L3 Multimaximizer
  • L3-LL Multimaximizer
  • Morphoder
  • NLS Non-Linear Summer
  • OneKnob Filter
  • Q-Clone
  • SoundShifter
  • Trans-X
  • WLM Plus Loudness Meter
  • X-Click
  • X-Crackle
  • X-Hum
  • X-Noise
  • Z-Noise

Mercury Bundle ($7599)

All the plugins in the Diamond bundle with the following added:

  • Aphex Vintage Aural Exciter
  • API 2500
  • API 550
  • API 560
  • Bass Rider
  • Berzerk Distortion
  • Brauer Motion
  • BSS DPR-402
  • Butch Vig Vocals
  • C360 Surround Compressor
  • C6 Multiband Compressor
  • CLA Bass
  • CLA Drums
  • CLA Effects
  • CLA Guitars
  • CLA MixDown
  • CLA MixHub
  • CLA Unplugged
  • CLA Vocals
  • CLA-2A Compressor / Limiter
  • CLA-3A Compressor / Limiter
  • CLA-76 Compressor / Limiter
  • Codex Wavetable Synth
  • dbx® 160 Compressor / Limiter
  • DeBreath
  • Dorrough Stereo
  • Dorrough Surround
  • Eddie Kramer Bass Channel
  • Eddie Kramer Effects Channel
  • Eddie Kramer Guitar Channel
  • Eddie Kramer Vocal Channel
  • Element 2.0 Virtual Analog Synth
  • eMo D5 Dynamics
  • F6 Floating-Band Dynamic EQ
  • GEQ Graphic Equalizer
  • Greg Wells MixCentric
  • Greg Wells PianoCentric
  • Greg Wells VoiceCentric
  • H-EQ Hybrid Equalizer
  • H-Reverb Hybrid Reverb
  • IDR360 Bit Re-Quantizer
  • Infected Mushroom Pusher
  • InPhase
  • InPhase LT
  • IR-Live Convolution Reverb
  • IR1 Convolution Reverb
  • IR360 Convolution Reverb
  • JJP Bass
  • JJP Cymbals & Percussion
  • JJP Drums
  • JJP Guitars
  • JJP Strings & Keys
  • JJP Vocals
  • Kramer HLS Channel
  • Kramer Master Tape
  • Kramer PIE Compressor
  • L3-16 Multimaximizer
  • L360 Surround Limiter
  • LFE360 Low-Pass Filter
  • LoAir
  • M360 Surround Manager & Mixdown
  • Manny Marroquin Delay
  • Manny Marroquin Distortion
  • Manny Marroquin EQ
  • Manny Marroquin Reverb
  • Manny Marroquin Tone Shaper
  • Manny Marroquin Triple D
  • Maserati ACG
  • Maserati B72
  • Maserati DRM
  • Maserati GRP
  • Maserati GTi
  • Maserati HMX
  • Maserati VX1
  • MDMX Distortion Modules
  • MultiMod Rack
  • MV360
  • NS1 Noise Suppressor
  • OneKnob Brighter
  • OneKnob Louder
  • OneKnob Phatter
  • OneKnob Pressure
  • OneKnob Wetter
  • Playlist Rider
  • Primary Source Expander
  • PRS SuperModels
  • PuigChild Compressor
  • R360 Surround Reverb
  • S360 Surround Imager & Panner
  • Scheps 73
  • Scheps Omni Channel
  • Scheps Parallel Particles
  • Smack Attack
  • Sub Align
  • Submarine
  • Torque
  • UM225 / UM226
  • Vocal Rider
  • W43 Noise Reduction Plugin
  • Waves Tune
  • Waves Tune Real-Time
  • WNS Noise Suppressor
  • X-FDBK

Of course, if money is no object and you run a very profitable studio, get the Mercury Bundle. For mere mortals though, get a lower bundle or, maybe, buy the plugins you really need individually. For example, if I had to buy my favourite plugins individually, the amount I’ll have to pay would be:

  • H-Comp Hybrid Compressor ($179)
  • H-EQ Hybrid Equalizer ($179)
  • H-Reverb Hybrid Reverb ($349)
  • H-Delay Hybrid Delay ($179)
  • Bass Rider ($99)
  • Vocal Rider ($249)
  • L2 Ultramaximizer ($299)
  • Dorrough Stereo ($199)
  • WLM Plus Loudness Meter ($399)

for a total of $2131 which is more expensive than the Platinum Bundle! Maybe it would be more intelligent to wait for Waves to do sales (which they practically always do) or get the Platinum Bundle and try to make use of its plugins to the full.

In any case, have fun.

PS: Waves is not the only audio plugin manufacturer who offers quality plugins. Others do.

PPS: As a Logic Pro X user, I tend to use the Logic Compressor and the Logic Channel EQ more than their Waves counterparts (H-Comp Hybrid Compressor and H-EQ Hybrid Equalizer) because they integrate better in the Logic mixer. I would love to have the same kind of integration with the Waves plugins though. Waves? Apple?

Filed Under: Apple, Music, Technology

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